2017 OREGON FRINGE FESTIVAL HEADLINERS
MUSIC HEADLINER: MARK APPLEBAUM
Mark Applebaum (b. 1967, Chicago) is Associate Professor of Composition and Theory at Stanford University where he served as John Philip Coghlan Fellow and received the 2003 Walter J. Gores Award for excellence in teaching. He received his Ph.D. in composition from the University of California at San Diego where he studied principally with Brian Ferneyhough. His solo, chamber, choral, orchestral, operatic, and electroacoustic work has been performed throughout the United States, Europe, Africa, and Asia with notable performances at the Darmstadt summer sessions, ICMC in Beijing and Singapore, the TRANSIT Festival in Belgium, Stockholm New Music, the American Composers Orchestra’s OrchestraTech, the Unyazi Festival in Johannesburg, South Africa, Sonorities in Belfast, Sonic Circuits in Hong Kong, SIGGRAPH in Los Angeles, the Essl Museum in Vienna, the Kennedy Center, at Electronic Music Midwest where served as the 2002 visiting artist, as featured composer at the 2004 University of Michigan Eclectronica Microfestival, and as featured composer at the 61st Festival of Contemporary Music at Louisiana State University.
He has received commissions from Betty Freeman, the Merce Cunningham Dance Company, the Fromm Foundation, the Paul Dresher Ensemble, the Vienna Modern Festival, Antwerp’s Champ D’Action, Festival ADEvantgarde in Munich, Zeitgeist, MANUFACTURE (Tokyo), the St. Lawrence String Quartet, the Jerome Foundation, and the American Composers Forum, among others. In 1997 Applebaum received the American Music Center’s Stephen Albert Award and an artist residency fellowship at the Villa Montalvo artist colony in Northern California.
Since 1990 Applebaum has built electroacoustic instruments out of junk, hardware, and found objects for use as both compositional and improvisational tools. Mousetrap Music (1996) and The Bible without God (2005), CDs of sound-sculpture improvisations can be heard on the Innova label. Also on Innova is The Janus ReMixes: Exercises in Auto-Plundering, a CD of eleven electronic works whose source material corresponds exclusively to recordings of the eleven acoustic compositions that constitute his Janus Cycle (1992-1996), as well as Intellectual Property, a CD of hybrid acoustic and electronic works. His orchestral music can be heard on the Innova CD Martian Anthropology; solo pieces appear on the Innova CD Disciplines; and chamber works appear on the Innova CDs 56 1/2 ft. and Asylum, and on the Tzadik CD Catfish. Applebaum is also active as a jazz pianist and has concertized from Sumatra to the Czech Republic, most recently performing a solo recital in Ouagadougou, Burkina Faso sponsored by the American Embassy. At present he performs with his father, Robert Applebaum of Chicago, in the Applebaum Jazz Piano Duo. Their first recording, The Apple Doesn’t Fall Far from the Tree, is available on Innova. At Stanford University Applebaum also serves as the founding director of [sic]—the Stanford Improvisation Collective. Prior to his current appointment, he taught at UCSD, Mississippi State University, and Carleton College. Additional information is available at www.markapplebaum.com.
PERFORMANCE HEADLINER: JAMES DONLON
James Donlon has been a celebrated master teacher, international performer, and director since 1970. He has performed his original work throughout North America, Europe, and Latin America to critical acclaim. The New York Times describes his work as "an extraordinary blend of skill and lunacy!". James is the only physical theater artist ever invited to perform with legendary San Francisco street mime Robert Shields of CBS' The Shields & Yarnell Show, and is the first American physical comedian to perform in the famed Teatro Dimitri of Switzerland. He has created story boards for PBS Great Performances.
Donlon has been on the faculties of acting schools such as The American Conservatory Theater, The University of North Carolina School of the Arts, The National Theatre Conservatory-Denver Center, The Yale School of Drama, UC-Santa Barbara, UC-San Diego, and the Oregon Center for the Arts. Over his 47 year career he has been a guest artist at over 150 universities. James has presented residencies with special institutions like El Teatro Campesino, Mexico City 's Bellas Artes, Prague's national Academy of Performing Arts (AMU), Dublin's Gaiety School of Acting, and the Ringling Brothers, Barnum & Bailey Circus Clown College where he taught Tony Award-winner Bill Irwin and Big Apple Circus icon Barry Lubin.
Donlon has been the film movement coach for Oscar-winners Javier Bardem, Kathy Bates, and Frances McDormand, as well as Benjamin Bratt and David Strathairn. Many of his students have performed on Broadway over the last 35 years including noted musical theatre actor Terrence Mann. James currently heads his international theatre school Flying Actor Studio in Ashland, Oregon. More information at jamesdonlon.com